LITERARY STUDIES
FICTION IN MODERN TIMES – REPETITION, CREATION AND APPLICATION
METAPHOR AND CENSORSHIP: ON ONE OF THE LINES OF INTERACTION BETWEEN LITERATURE AND SOCIETY, pp. 9 – 15
Vladimir Trendafilov
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INTERNATIONAL TOURISM, IDEOLOGY, AND LITERATURE. Dynamics of a particular subgenre in the fiction of the 1960s, pp. 16 – 29
Plamen Antov
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SEMIOLOGY, SEMIOSPHERE, SEMIOSIS, pp. 30 – 52
Aleksandar Feodorov
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FROM REALITY TO A ROLE MODEL: THE BIOGRAPHICAL IMAGE OF BOTEV IN ZAIMOV’S INTERPRETATION, pp. 53 – 65
Ivan Ruskov
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THE BELLES LETTRES OF ANA KARIMA AND EVGENIA MARS IN THE BULGARIAN PERIODICALS IN THE BEGINNING OF XX TH CENTURY, pp. 66 – 77
Kichka Kuseva-Persenska
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BELLES LETTERS TO NO ONE. THE PROBLEM OF MOTHER-DAUGHTER RELATIONSHIP IN THE SHORT PROSE OF LORA KARAVELOVA, pp. 78 – 84
Vanya G. Georgieva
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GENRES MISERY OF THE CONTEMPORARY BULGARIAN NOVEL (In the mirror of some European novel´s practices), pp. 85 – 99
Mladen Vlashki
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LITERATURE AND SOCIAL ENGAGEMENT WITH REGARD TO THE BULGARIAN PRODUCTION NOVEL FROM
THE BEGINNING OF THE 1950s, pp. 100 – 109
Maya Angelova
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FOREIGN LANGUAGE LITERATURE STUDIES
SOME AMERICAN INFLUENCES IN 19th- AND 20th-CENTURY BULGARIAN LITERATURE, pp. 113 – 124
Roberto Adinolfi
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JOHN MILTON AND HIS COSMOGONY ON THE ORIGIN OF THE UNIVERSE, pp. 125 – 140
Pilar Garcés García
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THE UNITY OF COGNITION IN BAKHTIN’S ONTOLOGY OF BECOMING, pp. 141 – 152
Atanas Manchorov
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“A WORD THAT BREATHES DISTINCTLY HAS NOT THE POWER TO DIE”: THE LIFE OF WORDS IN THE POETRY OF EMILY DICKINSON, pp. 153 – 169
Yarmila Daskalova
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LITERARY INTERPRETATIONS AND SCREEN ADAPTATIONS: MANSFIELD PARK, pp. 170 – 182
Vitana Kostadinova
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ON TWO INSUFFICIENCIES IN ELIZABETH BARRETT BROWNING’S POETRY, pp. 183 – 199
Yana Rowland
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A SENTIMENTAL JOURNEY THROUGH ITALY, pp. 200 – 210
Yordan Kosturkov
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THE SEATED SCRIBE, pp. 211 – 225
Jean-Paul Rogues
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MY BAD THOUGHTS (MES MAUVAISES PENSÉES) BY N. BOURAOUI – THE CONFESSION OF SOMEONE WHO HAS LOST HER ROOTS, pp. 226 – 238
Zlatorossa Nedeltcheva-Bellafante
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THE OTHERNESS IN NICOLAS BOUVIER’S BOOK LE VIDE ET LE PLEIN, CARNETS DU JAPON 1964 – 1970, pp. 239 – 250
Maya Timеnova-Koen
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INTERCULTURAL INTERACTIONS AND DIALOGISM IN SOME NOVELS OF LAURENT GOUNELLE, pp. 251 – 262
Amelia Milcheva
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ON THE IMAGE OF THE HORSE IN THE ITALIAN CULTURAL AND LITERARY TRADITION, pp. 263 – 276
Nataliya Hristova
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JULES VERNE: MAGIC AND LEGEND, pp. 277 – 289
Lourdes Terrón Barbosa
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METHODOLOGY OF TEACHING BULGARIAN LITERATURE
CULTURAL MEMORY AND THE ROLE OF MORAL MARKERS IN TEACHING BULGARIAN LANGUAGE AND LITERATURE, pp. 293 – 305
Margarita Dimitrova
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THE IDENTITY BETWEEN MAN AND NATURE IN “SEASONS OF THE SOUL” IN THE POETIC WORLD
OF NIKOLAY LILIEV, pp. 306 – 319
Kaneliya Bozhinova-Slavcheva
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MULTIMEDIA PRESENTATIONS DURING CLASSES IN LITERATURE – AN ILLUSTRATION WITH AN EDUCATIONAL VALUE OR A SIMULATION?, pp. 320 – 329
Temenuga Teneva
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FORMATION OF TRANSVERSAL COMPETENCES IN STUDYING „SKRITI VOPLI“ („HIDDEN WAILS“)
BY DIMCHO DEBELIYANOV IN 8TH GRADE, pp. 330 – 341
Neli Minkova
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BOOK REVIEWS
Elinor Shaffer and Catherine Brown (eds.). The Reception of George Eliot in Europe. London – New York: Bloomsbury, 2016. pp. 453. ISBN 978-1-4411-9022-2, pp. 345 – 353
Yana Rowland
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Кацарска, Милена. От Азимов до Ърдрич и от Абаджиева до Юруков. Пловдив, УИ „Паисий Хилендарски“, 2014., pp. 354 – 356
Yordan Kosturkov
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