LITERARY STUDIES
LITERARY BULGARIAN STUDIES
COMPARATIVE LITERARY STUDIES
A JEW WITH A HURT BULGARIAN SOUL. ALBERT MIHAEL’S LITERARY WORKS IN EMIGRATION, pp. 11 – 26
Jakub Mikulecký
Abstract (En) | Full text (Bg)
“EMPIRE OF HUNGER”: BETWEEN IRONY AND IDEOLOGY, pp. 27 – 35
Maria Ruseva
Abstract (En) | Full text (Bg)
ATANAS DALCHEV AS A HUMORIST AND SATIRIST. ON THE PAGES OF THE STARSHEL NEWSPAPER, pp. 36 – 51
Nadezhda Stoyanova
Abstract (En) | Full text (Bg)
POISONS, POISONERS AND VICTIMS IN THE NOVEL “IVAN KONDAREV” BY EMILIYAN STANEV, pp. 52 – 63
Tatyana Ichevska
Abstract (En) | Full text (Bg)
HISTORY AND USAGES IN STEPHAN BAKARDJIEV’S NOVEL “EX ORIENTE LUX. FERDINAND AND THE DREAM OF CONSTANTINOPLE”, pp. 64 – 71
Dora Marinova
Abstract (En) | Full text (Bg)
THE TOPIC OF STATE SECURITY IN RECENT BULGARIAN LITERATURE, pp. 72 – 82
Mladen Vlashki
Abstract (En) | Full text (Bg)
SEARCHING FOR HUMANITY: INTERPRETING SEVERAL NOVELS BY BORIS HRISTOV AND BOHUMIL HRABAL, pp. 83 – 91
Aleksandra Aleksandrova
Abstract (En) | Full text (Bg)
LITERARY STUDIES – SLAVIC LITERATURES
TYPES OF FORM-MEANING TEXTUAL CONNECTIONS IN RASTKO PETROVIĆ’S ESSAYS AND ARTICLES, pp. 95– 104
Nina Ćeklić
Abstract (En) | Full text (Sr)
EVGENIY VODOLAZKIN’S NOVEL “AVIATOR” AS AN ATTEMPT AT DIALOGUE BETWEEN TIMES, pp. 105 – 113
Reneta Bozhankova
Abstract (En) | Full text (Bg)
THE ENDLESS BATTLE OF RUSSIAN LITERATURE WITH CENSORSHIP, pp. 114 – 120
Pavel Filipov
Abstract (En) | Full text (Bg)
CRIMEAN TATAR HERSTORY OF THE WAR IN MODERN UKRAINIAN CULTURE, pp. 121 – 130
Snizhana Zhygun, Borys Grinchenko
Abstract (En) | Full text (En)
THE RETURN OF THE MOTHER IN ERBEN’S BALLAD “THE WILLOW”, pp. 131 – 144
Tanya Yankova
Abstract (En) | Full text (Bg)
DALMATIA IN THE TRAVELOGUES OF SVETOZÁR HURBAN-VAJANSKÝ AND MARTIN KUKUČÍN, pp. 145 – 150
Zrinka Kovačević
Abstract (En) | Full text (Hr)
LITERARY STUDIES – FOREIGN LITERATURES
THEOCRITUS’ FIRST IDYLL (THYRSIS) AND THE CONSTRUCTION OF METAGENRE, pp. 153 – 166
Diyana Nikolova
Abstract (En) | Full text (Bg)
ROMANTICISM AND THE GOTHIC TRADITION IN ANN RADCLIFFE’S THE MYSTERIES OF UDOLPHO, pp. 167 – 176
Maria Stoencheva
Full text (En) | Full text (En)
THE INDEPENDENT SPIRIT OF WOMEN IN CHARLOTTE BRONTË’S NOVELS, pp. 177 – 185
Tsvetina Tsakova
Abstract (En) | Full text (En)
DIGITAL FRANKENSTEIN: UK TABLOIDS ONLINE 2020 – 2022, pp. 186 – 194
Vitana Kostadinova
Abstract (En) | Full text (En)
OVERT AND HIDDEN QUOTATIONS OF BOCCACCIOʼS “DECAMERON” IN FURTHER GENERATIONS OF ITALIAN WRITERS OF SHORT STORIES, pp. 195 – 210
Petya Petkova-Staleva
Abstract (En) | Full text (Bg)
“WILL WRITE MY STORY FOR MY BETTER SELF […]:” AURORA LEIGH’S REFLEXIVE WAYS, pp. 211 – 225
Yana Rowland
Abstract (En) | Full text (En)
FROM SLAVERY TO PRISON: HOME AND BONDAGE IN JESMYN WARD’S SING, UNBURIED, SING, pp. 226 – 235
Bozhidara Boneva-Kamenova
Abstract (En) | Full text (En)
EL CID THROUGH THE EYES OF ARTURO PÉREZ-REVERTE, pp. 236 – 243
Peter Mollov
Abstract (En) | Full text (Es)
DOCTORAL STUDENTS
“MACBETH” AS A NOVEL BY JO NESBØ IN THE NORDIC NOIR GENRE, pp. 247 – 260
Atanas Dobrev
Abstract (En) | Full text (Bg)
A LAODICEAN AND HARDY’S WIDENING GYRE, pp. 261 – 274
Dimitar Karamitev
Abstract (En) | Full text (En)
THE CHARACTER OF JULIE IN THE NEW HELOISE – REBELLIOUS, OBEDIENT, CONTROVERSIAL, pp. 275 – 280
Yuliya Ivanova
Abstract (En) | Full text (Fr)
THE JOURNEY OF THE FRENCH ROMANTICS TO THE ORIENT, A JOURNEY TO YOURSELF
OR MEETING THE “OTHER”, pp. 281 – 287
Ivanka Nenova
Abstract (En) | Full text (Bg)
THE ARTISTIC REPRESENTATION OF THE HISTORICAL REALITY IN DUMAS’ NOVEL “SAN FELICE”, pp. 288 – 296
Anna Shkodrova
Abstract (En) | Full text (Bg)
TYPOLOGICAL SIMILARITIES AND PARALLELS BETWEEN THE PLAYS OF DARIO FO AND STANISLAV STRATIEV, pp. 297 – 310
Elena Mincheva
Abstract (En) | Full text (Bg)
BULGARIAN MIGRANT MEDIA – SPACE FOR MEMORY, pp. 311 – 317
Anzhela Georgieva
Abstract (En) | Full text (Bg)
