VOL. 49, BOOK 1, PART B, 2011, pp. 405 – 414 Full text (Bg)
Author: Николета Пътова
Affiliation: Институт за литература, БАН
Abstract
This text examines the projections of the conflict between “one’s“ and “other’s“ in Bulgarian Renaissance Dramaturgy. In that case, the acts of the “other’s“ are connected with the European modernity, which becomes an object of condemnation in dramaturgic plots. In dramaturgy, the comparison of the two models of lifestyle, communication and dressing possesses a moral, in addition to the aesthetic, value.
Key words: national and personal identity; patriarchy – modernity; “one’s“ – “other’s“ in Bulgarian Renaissance Dramaturgy
