FOREIGN LITERARY STUDIES

TSVETAN TODOROV, COMPASSIONATE PILGRIM, pp. 7 – 17
David Jenkins
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THE LITERARY TEXTE – A PATH TOWARDS ALTERITY, pp. 18 – 26
Zlatorossa Nedeltcheva-Bellafante
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THE ISSUE OF GENRE-NESS IN SHAKESPEAREAN DRAMA, pp. 27 – 39
Atanas Manchorov
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MORE (THAN) ONESELF: ELIZABETH BARRETT BARRETT’S PROMETHEUS (1833) – PREFACED, pp. 40 – 56
Yana Rowland
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THE ROMANTIC MELANCHOLIA VERSUS THE ANTIC “BLACK BILE” (observations on the K. H. Mácha’ poetics), pp. 57 – 69
Zhorzheta Cholakova
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A FEMINIST PORTRAIT OF JANE EYRE, pp. 70 – 77
Tsvetina Tsakova
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BALKAN ITINERARIES. CZECH WRITERS FROM THE 19TH CENTURY ABOUT ROMANIA AND BULGARIA, pp. 78 – 86
Diana Florentina Popescu
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“RAZNOCHINSTVO“ AND “NIHILISM“ THROUGH THE PRISM OF IVAN TURGENEV’S NOVEL “FATHERS AND SONS“, pp. 87 – 97
Vladislava Ivanova
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THE CREATIVITY OF LYDIA ROSTOPCHINA: AT THE CROSSROAD OF CULTURAL TRADITIONS, pp. 98 – 107
Kirill Chekalov
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THE INITIAL TRANSFER OF HOFMANNSTHAL’S WORKS IN BULGARIA, pp. 108 – 118
Mladen Vlashki
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TEMPORAL PARADOXICALITY IN THOMAS MANN’S THE MAGIC MOUNTAIN, pp. 119 – 129
Maja Ćutić Gorup
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REVOLUTIONARY SURREALISM 1935, pp. 130 – 139
Lourdes Terrón Barbosa
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ART AND REVOLUTION. THE SURREALIST MOVEMENT IN LONDON, pp. 140 – 153
Pilar Garcés García
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URMUZ AND ROMANIAN AVANT-GARDE BETWEEN THE TWO WORLD WARS, pp. 154 – 160
Catalina Puiu
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LIANOZOVO SCHOOL IN THE CONTEXT OF THE RUSSIAN AVANTGARDE AND POST-AVANTGARDE, pp. 161 – 171
Polina Zolina
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SOME NOTES ON RUSSIAN „POSTHUMANISM“. YURI MAMLEEV AS A METAPHYSICAL NATIONALIST, pp. 172 – 180
Jakub Mikulecký
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CLAUDE ROY AND THE ISSUE OF ALTERITY, pp. 181 – 193
Jean-Paul Rogues
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DOCTORAL STUDENTS

A STRUCTURE OF THE RECEPTION MODEL OF KAREL HYNEK MÁCHA, pp. 197 – 207
Veronika Špačková
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THE ANDROGYNY IN EARLY GERMAN ROMANTICISM. ТHE REFLЕCTION OF OVID’S MYTH OF HERMAPHRODITUS IN NOVALIS’S NOVEL HEINRICH VON OFTERDINGEN, pp. 208 – 214
Tanya Bedavadzhieva
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THE ROLE OF LITERATURE IN SECOND LANGUAGE TEACHING, pp. 215 – 224
Ana Isabel Díaz García
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THE GENRE-THEMATIC IMPULSE DANSE MACABRE: TWO DIFFERENT ASPECTS, pp. 225 – 231
Dimitar Shopov
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SYMBOLISM – POSTSIMBOLISM – EXPRESSIONISM IN THE CZECH CONTEXT. TOPOLOGICAL ASPECTS OF THE CITY, pp. 232 – 242
Elitsa Marinova
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RULES OF LOVE IN ALICE WALKER’S THE COLOR PURPLE, pp. 243 – 251
Bozhidara Boneva
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